But amidst the hustle and bustle of daily life, sometimes there just isn’t time to make your own princess ball gown or superhero armor. Though it’s in a theme park, it truly has a Broadway vibe and only convinces me further that a full-length Marvel musical is not only needed, but inevitable.Halloween is the time of year when you can tap into your Disney side and pretend to be some of your favorite characters for a night. For example, they creatively will stretch out a gesture if someone is holding a note. A very special shout-out goes to the ASL interpreters who not only relay the dialogue but truly convey the emotions taking place on stage with their faces and signing. Sarah Kobayashi, choreographer for Disney Live Entertainment, also enjoyed utilizing the different time periods to incorporate “various dance styles through the decades and spinning them with a modern twist.” Kobayashi is also a self-proclaimed Avengers fan and says she wanted to find movement that made sense “for their characters and their humanity at times and their superhero moments.” And it shows she knows the characters - check out Thor’s joyous dancing or the sly moves of the musical’s Loki.Īll the elements are top-notch, from the gorgeous costumes to the creative sets and lighting. Yes, Nick Fury sings - and wears a sequined eyepatch! And the number, called “What You Missed,” is a true showstopper. He was also excited by the idea of spanning 70 years with the music, which gives the audience a chance to several different styles, from Busby Berkeley-inspired big band numbers to a Stephen Sondheim-esque patter song where Nick Fury explains what Rogers has slept through during his 70 years on ice. “ wanted to give everyone - both musical theater fans and superhero fans - something they would love about the music,” Lennertz revealed. (In addition to “Save the City,” the show includes the song “Star Spangled Man” from “Captain America,” written by Alan Menken and David Zippel.) The new music was composed by Grammy Award winner Christopher Lennertz, who previously earned an Emmy nomination for a different superhero song when he wrote the music and lyrics for the song “Never Truly Vanish” for Amazon Prime Video’s satirical “The Boys.” Lennertz also wrote the lyrics for five new songs with Peterson and Alex Karukas. When we kind of honed in on that love story, I think that sealed the deal.” “So much great musical theater is based on a love story. “Great love stories make great musicals,” Bell noted. It makes sense, as “The Avengers” in many ways begins chronologically with “Captain America: The First Avenger” and closes in “Avengers: Endgame” on a shot of the duo. Bell knew pretty quickly where he wanted to center “Rogers” - on the story between Steve and Agent Peggy Carter. To direct, they tapped Jordan Peterson, who began his career as a parade performer before serving as show director on projects “Oogie Boogie Bash” and “Magic Happens,” the first Disney daytime parade in almost 10 years.įor the book, they called on Hunter Bell, a Tony Award nominee for his work on “,” to cull hours’ worth of stories from the Marvel Cinematic Universe into a sitcom-length program. They assembled their own heroic crew to mount the production. It seems clear that much like the musical-inside-the-show on “Hawkeye,” the folks at Disney Live knew they couldn’t mess around. That includes Ant-Man – who wasn’t even there! We watch a befuddled Hawkeye taking in the surreal display of these jazzified versions of the Avengers. The show’s big number “Save the City,” details how the Avengers defeated the villain Loki in the Battle of New York in 2012. The show hits a little too close to home, as it turns out to be an adaptation of the life of his friend Steve Rogers, a.k.a. “Rogers” first came to life in the Disney+ show “Hawkeye,” in which Jeremy Renner’s titular Avenger finds himself taking in a Broadway show with his kids. I was lucky enough to witness the opening performance last week, followed by a panel discussion with some of the key creatives. Audiences can now check out the mini-musical, which runs about a tight half hour, at Disney California Adventure’s Hyperion Theater, through Aug. But “ Rogers: The Musical” might be the first one created from a throwaway joke in a TV show spun-off from a film series based on comic books. It’s not unusual to see a musical based on a movie or TV show or even a comic.
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